Composing…
Composing…
आज्ञा
CHAKRA #6 OF 7Command / authority · Between the eyebrows (third eye)
Bīja
ॐ (Om)
Element
Manas (mind)
Color
Indigo / midnight blue
Petals
2
Deity
Shambhu / Ardhanarishvara (with Hakini as Shakti)
Yantra
Inverted triangle within circle (with Om)
Endocrine
Pituitary gland
हं क्षं (haṃ kṣaṃ)
Each petal of the cakra is inscribed with a Sanskrit phoneme — these are the mātṛkā-syllables, the sound-energies that compose the cakra’s field.
The seven cakras are mapped to the suṣumnā nāḍī — the central channel of subtle energy along the spine. Below each cakra is its granthi (knot), and at certain transition points the energy must break through major resistance: the Brahma-granthi at Mūlādhāra, Viṣṇu-granthi at Anāhata, Rudra-granthi at Ājñā. These knots correspond to the great existential identifications — body, relationship, and ego — that yoga progressively dissolves.
Ajna (#6 of 7) holds the manas (mind) element and is the field of intuition, insight, and inner vision. Imbalance here typically shows as the conditions listed above. The bīja ॐ (Om) is the seed-syllable for cakra-meditation: silently or audibly repeat it while attending to the cakra’s location, often coordinated with the breath.
The classical sources for cakra theory are the Ṣaṭ-cakra-nirūpaṇa (Pūrṇānanda Yati, 16th century), the Sat-cakra-nirūpaṇa, the Haṭha Yoga Pradīpikā, and the Goraksha Śatakam. Modern renderings differ — the seven-cakra system as taught in global yoga is a synthesis with substantial reinterpretation. For traditional instruction, study under a teacher in the haṭha-yoga or kuṇḍalinī-yoga lineage.
Sources: Ṣaṭ-cakra-nirūpaṇa (Pūrṇānanda) · Haṭha Yoga Pradīpikā · Goraksha Śatakam. Awaiting scholar verification.