Composing…
Composing…
स्वाधिष्ठान
CHAKRA #2 OF 7One's own seat / dwelling place · Sacrum, just below navel
Bīja
वं (Vam)
Element
Apas (water)
Color
Orange
Petals
6
Deity
Vishnu (with Rakini as Shakti)
Yantra
Crescent moon within circle
Vāhana / Animal
Crocodile (Makara)
Endocrine
Gonads (ovaries/testes)
बं भं मं यं रं लं (baṃ bhaṃ maṃ yaṃ raṃ laṃ)
Each petal of the cakra is inscribed with a Sanskrit phoneme — these are the mātṛkā-syllables, the sound-energies that compose the cakra’s field.
The seven cakras are mapped to the suṣumnā nāḍī — the central channel of subtle energy along the spine. Below each cakra is its granthi (knot), and at certain transition points the energy must break through major resistance: the Brahma-granthi at Mūlādhāra, Viṣṇu-granthi at Anāhata, Rudra-granthi at Ājñā. These knots correspond to the great existential identifications — body, relationship, and ego — that yoga progressively dissolves.
Svadhisthana (#2 of 7) holds the apas (water) element and is the field of creativity, sexuality, and pleasure. Imbalance here typically shows as the conditions listed above. The bīja वं (Vam) is the seed-syllable for cakra-meditation: silently or audibly repeat it while attending to the cakra’s location, often coordinated with the breath.
The classical sources for cakra theory are the Ṣaṭ-cakra-nirūpaṇa (Pūrṇānanda Yati, 16th century), the Sat-cakra-nirūpaṇa, the Haṭha Yoga Pradīpikā, and the Goraksha Śatakam. Modern renderings differ — the seven-cakra system as taught in global yoga is a synthesis with substantial reinterpretation. For traditional instruction, study under a teacher in the haṭha-yoga or kuṇḍalinī-yoga lineage.
Sources: Ṣaṭ-cakra-nirūpaṇa (Pūrṇānanda) · Haṭha Yoga Pradīpikā · Goraksha Śatakam. Awaiting scholar verification.